He Hit Me (And It Felt Like A Kiss)
The Crystal’s “He Hit Me (And It Felt Like A Kiss)“, caused a storm of protest when it was released in 1962, and its ambiguous sentiment underlies ‘It Felt Like a Kiss’, Adam Curtis’ new film. It is a portrait of America between 1958 and 1965, a period when radical individualism emerged with superficial freedom and underlying entrapment. The film has been conceived of as much as a multi-media art piece, as a TV documentary, the BBC having given Curtis an unusual degree of freedom, possibly because they are not quite sure what to do with him.
Curtis is like the Malcolm Gladwell of film making, there is a nagging doubt that what is being argued isn’t science but the delivery is so masterful and thorough that its utterly compelling. It Felt Like a Kiss looks stunning from the trailer (look out for the full version), but perhaps its rhetoric will elicit similar mixed feelings as inspired the subject. Regardless, Curtis, who creates movies that are like the conspiracy theory films that clog Youtube (except that they produced with intelligence), will no doubt become a web celebrity when his next film, which deals with the Internet itself is released combining the meme like qualities of his format with a self-referential subject.
The BBC, in their infinite wisdom, have regionally restricted everything including trailers of It Felt Like A Kiss, so I am linking to the Guardian. A full version of the film is on Curtis’ web site, but is also UK only (I cannot watch it, because I’m in France).