Paris is Burning

July 28th, 2009 · 20 comments or link to (permalink)

This is a documentary about vogueing, and the extremely refined and detailed aesthetic sensibilities it reflects, shot in New York City around Chelsea, the Meatpacking District, and Harlem in the mid- to late-80s. The city has changed in dramatic ways since then, to say the least.

The characters of the film are complete outsiders with, at the same time, a deep understanding of the world they are outside of. As Terrence Rafferty wrote in The New Yorker, “the material is almost too rich, too suggestive. Everything about the ball culture signifies so blatantly and so promiscuously that the movie induces a kind of semiotic daze.”

It is certainly hard to view human behavior the same way after watching this film. I hope this low-quality version will be interesting enough to inspire you to rent the real thing.

(The video player embed here should allow you to watch all 11 segments of the film.)

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He Hit Me (And It Felt Like A Kiss)

July 26th, 2009 · 18 comments or link to (permalink)

The Crystal’s “He Hit Me (And It Felt Like A Kiss)“, caused a storm of protest when it was released in 1962, and its ambiguous sentiment underlies ‘It Felt Like a Kiss’, Adam Curtis’ new film. It is a portrait of America between 1958 and 1965, a period when radical individualism emerged with superficial freedom and underlying entrapment. The film has been conceived of as much as a multi-media art piece, as a TV documentary, the BBC having given Curtis an unusual degree of freedom, possibly because they are not quite sure what to do with him.

Curtis is like the Malcolm Gladwell of film making, there is a nagging doubt that what is being argued isn’t science but the delivery is so masterful and thorough that its utterly compelling. It Felt Like a Kiss looks stunning from the trailer (look out for the full version), but perhaps its rhetoric will elicit similar mixed feelings as inspired the subject. Regardless, Curtis, who creates movies that are like the conspiracy theory films that clog Youtube (except that they produced with intelligence), will no doubt become a web celebrity when his next film, which deals with the Internet itself is released combining the meme like qualities of his format with a self-referential subject.

The BBC, in their infinite wisdom, have regionally restricted everything including trailers of It Felt Like A Kiss, so I am linking to the Guardian. A full version of the film is on Curtis’ web site, but is also UK only (I cannot watch it, because I’m in France).

It Felt Like A Kiss (Trailer).

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3rd Avenue El

July 21st, 2009 · 5 comments or link to (permalink)

A short film made in the early 1950s about the elevated rail line that traveled from the base of Manhattan, up the Bowery and 3rd Avenue, to Gun Hill Road in the Bronx.

New Yorkers, how many places do you recognize as they zoom by? What brewery was that on 3rd Avenue?

The characters are an arty type, a drunk, a little girl, a young couple, and the drama or plot, such as it is, revolves around a nickel stuck in the wooden floorboards of the train (also notice the padded seats). The main characters here are really the subway and the city.

(via The Prelinger Archives)

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The Toughest Pubs in Britain

June 19th, 2009 · 13 comments or link to (permalink)

Sorry for the lack of posting – I’ve been on holiday (by mistake), in Provence. A million miles away from the scene of this clip which Hunter Gatherer has once again sifted from the pile of crap that is the reality of the once great British television.

Enjoy

and read Hunter Gatherer’s analysis, here.

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The Victors

May 28th, 2009 · 1 comment or link to (permalink)

For Memorial Day, Hunter Gatherer posted an excellent piece on the 1963 war film, The Victor. I recommend reading what he has to say in full, but here is the snippet that accompanies the clip above:

“The particularly strong portrayal of the less heroic side of war’s consequences was shocking given the year that the film was made. One scene in particular, purportedly inspired by the execution of Eddie Slovik, set the execution of a deserter in the last months of the war to Frank Sinatra’s rendition of ‘Have Yourself a Merry Christmas’.”

Link

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